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Press

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PRESS

THE GLIMMERGLASS FESTIVAL

Oklahoma

Gertie Cummings

“With a laugh that could curdle milk, Erin Alford’s no-holds-barred Gertie Cummings was a comic whirlwind.”

- SEEN AND HEARD INTERNATIONAL -

THE GLIMMERGLASS FESTIVAL

Madama Butterfly

Kate Pinkerton

“Erin Alford, whom we saw as Gertie in “Oklahoma!,” has the more subdued role here as Kate Pinkerton, which she essays with impressive dignity.”

- WORDS AND MUSIC -

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In Review

PACIFIC OPERA PROJECT

Don Bucefalo

Agata

"Erin Alford is entrancing as Agata, the town’s busybody, her mezzo-soprano voice adding richness to the ensembles. Her comic timing was spot-on as she navigated her character’s many missteps and misunderstandings."

- STAGE AND CINEMA -

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"He and the mezzo Erin Alford (in the role of Agata) brought real bel canto craft to their roles..."

- OPERA NEWS -

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"He was surrounded by able singer-comedians, among them  Erin Alford all of whom excellently mastered roles they likely will never have an opportunity to sing again. But in doing so, they have admirably lived up to Sharon’s anti-elite L.A. opera ideal of big-time breaking the frame."

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PACIFIC OPERA PROJECT

Rusalka

Ježibaba

"Mezzo-soprano Erin Alford also wowed as Ježibaba, infusing her scenes with humor and vocal richness. Her rendition of the witch’s incantation “ÄŒury mury fuk” (the Czech equivalent of  “Abracadabra”) was particularly memorable."

- STAGE AND CINEMA -

 

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OPERA SAN JOSÉ

Second Woman

Dido and Aeneas

"Mezzo-soprano Erin Alford gave a fluent performance as Dido’s second attendant..."

- SAN FRANCISCO CHRONICLE -​

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FLORIDA GRAND OPERA

Fidalma

El matrimonio secreto

"Erin Alford, statuesque and spunky, brought a powerful mezzo and exhibited the best sense of classical style in the cast."

- SOUTH FLORIDA CLASSICAL REVIEW -

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"La mezzo Erin Alford fue una excelente Fidalma."

- PRO ÓPERA -

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FLORIDA GRAND OPERA

Gianni Schicchi/ Buoso's Ghost

La Ciesca

"Erin Alford as La Ciesca brought beauty of timbre and vibrant stage personality to the devious Donati relative."

- SOUTH FLORIDA CLASSICAL REVIEW -

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